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The film presents sequences with objects such as tires, garbage bags, ladders, soup, oil drums, old shoes, water and gasoline that together create chains of motions. Her practice investigates the performative body and spatial concepts as well as installations, drawings, objects, and sculptures. Established around the participation of the public, the reading circle is an itinerant function that responds to, vibes with and involves the given site and particular group of its gathering — always organised around reading aloud and on the spot no preparation needed. In the attempt to plan the perfect transformation, a group of people was captured in an infinite planning loop, where one plan only led to the next plan etc. Admission is free and open for all.
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The idea of the sea as a resource — both literally and metaphorically — forms the starting point of the group show Bubble Metropolis. These two elements of her poetry are interconnected in the way eros gets pulled up to the divine place. The film weaves together existing archives of text, image, and sound to create video installations that drift between social history and fantasy. They take part in a unique experience which involves music, dance and silence. The choreographer, theatre maker and cultural worker Dalija Acin Thelander is engaged in research and creation in the field of contemporary dance for babies and children. The publication will be launched this autumn.
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A forest was attempted transformed to a film set. We experience wars of class, race, sex, and gender; wars of civilization and the environment; wars of subjectivity that are raging within populations and which following the authors, constitute a secret motor of liberal governmentality. They will also launch the Heartland Program Paper along with their brand new Heartland short film by director Camilla Ramonn. I aim to use movements through time and space as a tool to create visual and aesthetic experiences that touch what goes beyond time and space. The title of the talk refers to the etymological and artistic history of choreography, which defines choreography as writing practice. Fundamental for Dalija Acin Thelanders motivation to create for the youngest audience is the perception of the child as equal to an adult, worthy of encountering arts in early years. Start in the Middle is a participatory performance that uses the formats of lecture and meditation into a seamless whole.
While questioning the spatial and temporal potential within the moving image medium, the films utilise performative examinations — with the camera, body, voice or image itself as the actor. What happens when you insist on cultivating a process, the unpredictability and the change within a finished performance? The work interacts immersively with the gallery space. The rough, unfiltered feel, the texture of the cine-film and the intuition of the artist are fundamental for the process, action and progress of the project. In collaboration with internationally renowned artist Jeppe Hein and Change Yourself they will present a special edition work and the official T-shirt for Heartland Festival Independent Choreographers and Independent performing Artists presents their working methods and most important cases at the moment.